Cormac Sheridan, contributor
Artist Andy Best in Gas Bag (Image: Patrick Bolger)
Food can be a tricky subject. Bombarded by conflicting messages from
advertisers, health promotion agencies, scientists and celebrity chefs,
it’s hard to know which is the right food or the wrong food, and even
those elusive definitions are shaped as much by economic interests as
by biological evidence. And overshadowing those considerations is the
stark fact that almost a billion people do not get enough to eat.
I was a bit wary, then, when I approached the Dublin Science Gallery's latest exhibition, Edible: The Taste of Things To Come. Yet the show, curated by Cathrine Kramer and Zack Denfeld of the Center for Genomic Gastronomy,
adroitly sidesteps many of the exhaustive - and exhausting - debates on
food. It follows the curators’ own gleefully subversive agenda on
issues such as food biotechnology and plant breeding. The results are
satisfying, flavoursome and not at all stodgy.
Glowing sushi (Image: Jason Sherwood)
Unlike the gallery's last show, Surface Tension,
which explored the future of water, Edible does not have any major
visual show-stoppers. The most eye-catching exhibit, Andy Best and Merja
Puustinen's Gas Bag,
a huge, colourful, inflatable stomach complete with sound effects,
resembles a bouncy castle more than an artwork. Yet it encapsulates
perfectly the tone of this exhibition, which is one of playful
exploration rather than scientific dissection. There is a little of the
latter too, though, in the form of lab demonstrations and exhibits such
as Centrifuged Food by Seattle Food Geek Scott Heimendinger. Centrifuged peas make delicious butter, it turns out.
As the title suggests, Edible is primarily a taste, rather than
visual, experience. Our introduction to the show was a light lunch,
inspired by the same aesthetic that Kramer and Denfeld have already
exhibited in their online cooking programme, The Glowing Sushi Cooking Show, which demonstrates how to make sushi using transgenic zebrafish expressing green fluorescent protein.
Here, they served up black bean and kimchi quesadilla, a
Korean-Mexican fusion dish - and early Twitter phenomenon - invented in
Los Angeles and usually served from taco trucks. It was followed by a
vegan version of the notorious French dish ortolan that has been banned
from commercial establishments. It involves capturing and blinding the
ortolan (Emberiza hortulana), a small migratory bunting, which is
then force-fed to twice its bodyweight before it is drowned in Armagnac
and roasted and eaten whole. Diners place a napkin over their heads
while eating, to concentrate the aromas - and to conceal any
accompanying shame.
The vegan version - the full recipe is supplied in the exhibition -
contains tofu, hop flowers, preserved lemon, umeboshi (Japanese pickled
plum), Shiitake mushroom, and seaweed, among many other ingredients.
Figs soaked in Armagnac stand in for the head, and sesame sticks for the
bird's bones. It had quite a delicate flavour, though it's impossible
to say how close it was to the real thing. Denfeld refused to confirm or
deny whether he himself had done the full monty. "Ortolan is like Fight
Club - you don't talk about it," he declared. (Someone forgot to tell Jeremy Clarkson.)
Visitors to Edible can sample a range of dishes on offer from a menu
that changes every three days. Later this month Heather Julius, from the
Special Snowflake Supper Club in the US, will host the first of a series of "curated" dinners that will be held during the run of the show.
Several exhibits offered more virtual dining experiences: Steam Cells, for example, comprises a series of dining scenarios devised by postgraduate students from the National College of Art & Design in Paris and inspired by stem cell research at the I-Stem laboratory in Evry, France.
Insects Au Gratin, by a group of British artists, suggests that 3D printing is the technology that could make entomophagy (the consumption of insects)
catch on. It has an ecological dimension - crickets take four times
less energy to produce than beef - even if it also has a pretty strong
yuck factor. But extruding the insect protein into alternative shapes
could help to eliminate that. Given what we already do with foods the
idea of munching on cricket nuggets may not be as far-fetched as it
sounds.
Even if you’re not ready to tuck into a plate of insects at home just
yet, Edible has plenty of ideas to whet the appetite for whimsical and
delicious food of the future.
Edible opens today at the Science Gallery in Trinity College Dublin, Ireland and runs until 6 April
http://www.newscientist.com/
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